#Monster streamcast wireless module full
#Monster streamcast wireless module pro

The interesting bit is that the plug-in lets you modify the frequency spectrum in between. The outgoing audio is then regenerated by an Inverse FFT.

#Monster streamcast wireless module full

'The incoming signal is analysed via a FFT (Fast Fourier Transform), resulting in the familiar spectrum plot where the full audio spectrum is split into a number of narrow frequency bands. d02acdfa0eĪlso Expert Sleepers has a Spectral Morphing plugin: Makes me want to check em out actually, hoping it's cheap as hell now that they're so old.Holy canoli, not at all.

Pretty sure they would've updated to VST. I remember when I first dove into DAW's GRM was the first I checked out DirectX only. I don't think GRM Tools are exclusive to ProTools. Do you know that that's all he uses for this kind of thing? I thought they were just effects, can you make playable instruments out of them as he is doing on his fingerboard?

#Monster streamcast wireless module pro

It doesn't actually say in the video what Amon Tobin uses, but he does do some granular stuff as well so I wouldn't be surprised if he used Alchemy.īlackMath, I'm guessing you mean GRM Tools - A suite of pro tools effects that do special audio mangling with filtering effects and scrubbing through the audio file and such. That whole entire thing is actually resynthesized audio recordings. In the case of an additive synth like alchemy, it plays back a complete recreation of the sample, but sometimes sounds very much like the original, as you can hear in the example above. So you hear the synth but with the characteristics of the sound source (words etc.). A vocoder does do something similar, in that you can play a microphone input (or other source) live with a kayboard, but in that case it is using the sounds eq signature and envelope to apply a filter on another sound, like a synth. So with this kind of thing you can analyze a sample and have it be reconstructed from sine waves on top of each other, each with different envelopes as mentioned, so you could mix one sound with another, in a smooth fashion. Here's an example from the site doing a whole bunch of additive and spectral playback. A good tool for this is Alchemy (or other additive or spectral sample analysis synths). Luddy pretty much summed up my idea of spectral morphing. That's presumably why the XSynth offers both this kind of spectral manipulation and a good vocoder. The spectral analysis/playback part is very similar to what goes on in a vocoder. It's a fairly heavyweight computation both to analyze and to play back. The thing is that building an efficient bank of sine wave oscillators is hard work. I would be surprised if no one has done this in Max/MSP. That's what lets you re-pitch the material.Īctually, morphing goes one step further it works with two such analyses and lets you fade between those two as you play back, i.e., drive the oscillators either with one or the other or a blend. allow you to play this analysis back using a bank of sine wave oscillators, where you can vary the pitch of some or all of the oscillators. do a spectral analysis of a sample(s), i.e., decompose the sample into a bunch of frequency envelopes, one for each of the prominent frequencies in the sample What all the spectral morphing implementations do (whether Kyma or XSynth or whatever) is to